"Hollie is an exceptional editor whom I couldn’t recommend highly enough. She is speedy yet attentive, extremely hard-working and a joy for any producer to work with. We worked on a couple of tricky reversioning projects together but thanks to her hard work everything came together perfectly, well before the deadlines. Hollie is great at taking on instructions but also adept at expressing her own creativity when necessary and I have no doubt she’d be an asset to any production. Plus she has her own Pret subscription, so you don’t even need to worry about keeping her caffeinated”.

-James Bugg – Producer ‘Britian's Favourite 90's Hits’

A few kind words . . .

“Hollie was a real addition to the team, she went above and beyond too. We were making 2 follow up episodes together and she took direction really well, which was great as I had to be across other edits and on calls as well. Hollie had a real understanding of the narrative when doing sync pulls and she made good music choices. She didn’t mind the tight deadlines either, working hard to deliver on time".

-Mark Russel – Series EP ‘Nick Knowles’ Big House Clearout’

“Hollie was enthusiastic and energetic throughout many hurdles and all of the usual changes of plan that come with a first series. When format or style points were given to us, Hollie quickly interpreted them so the picturing and pacing reflected what the execs were looking for. Hollie's application of the basic visual effects we were using was in fact far neater than most those in other cuts completed by more senior people. The musical style for the series was changing during the course of our work together but I would say that Hollie understood the musical style and that she interpreted it well in cuts. I would highly recommend Hollie to other companies as she is hardworking, pleasant, professional and highly skilled.''

-Miriam Fitzgerald – Producer ‘Motorway Madness: Highway to Hell'